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Best Lenses for the Canon EOS 800D of 2018

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Canon 50mm f1.8 II

Canon 50mm f1.8 II

This is a high-quality, excellent, impressive and momentous lens for Canon EOS 800D. The Super Multi-Layer coating reduces ghosting and flares in images. One of the significant advantages of the Canon 50mm f1.8 II is its excellent build quality. As we’ve observed in reviews of other Canon lenses, the material and construction upgrades are very nice. No issues with autofocusing or anything since it uses an AF-S motor. This lens is very sharp around f/4 and, for the price, produces excellent bokeh. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is creamy smooth. It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses.

Canon 55-250mm f4-5.6 IS STM

Canon 55-250mm f4-5.6 IS STM

The Canon 55-250mm f4-5.6 IS STM is the most affordable Canon prime lens, offers high-quality image quality and monstrous autofocus. It is very suitable for all-purpose shooting, and it’s very compact for its focal range. Canon lenses have a respectable reputation for quality and reliability, and this beautiful lens is no exception. Generally, the maximum aperture of these lenses isn’t too large, which helps to keep their cost down, but they aren’t always of the highest optical quality. The lens’s minimum focusing distance is just over 0.85m, and it offers up to five stops of Vibration Compensation. The 15-elements-in-12-group stylish visual design is poised to deliver superb, consistent peripheral brightness and sharpness, even when working at the F4.0 - F5.6 maximum aperture. As we’ve observed in reviews of other Canon lenses, the material and construction upgrades are beneficial.

This Canon EF-S mount lens produces dreamy bokeh, especially for being on Canon EOS 800D. This lens provides sharp images with only a hint of softening near the corners when shot wide open. The glass is a top-grade choice if you want to shoot contrasty traveling, portraits and stunning family photos.

Sigma 18-300 F3.5-6.3 DC OS HSM

Sigma 18-300 F3.5-6.3 DC OS HSM

I love this lens because it is very light, compact, excellent, superb capable of producing spurious bokeh and stunning images on Canon EOS 800D. This Sigma lens has been designed using an advanced optical structure to achieve both excellent resolution and detailed details. Thanks to protective coating the level of distortion has been kept very minimum for such a lens. The impressive Sigma 18-300 F3.5-6.3 DC OS HSM lenses are moderately manufactured with entry-level users in mind, so are reasonably priced. The Sigma 18-300 F3.5-6.3 DC OS HSM is an excellent choice if you want to shoot stunning portraits, lifestyle and fascinating traveling photos. A rounded unknown-blade diaphragm helps to produce an attractive out-of-focus, marvelous photos quality.

No issues with autofocusing or anything since it uses an AF-S motor. As we’ve observed in reviews of other Sigma lenses, the material and construction upgrades are very friendly. The Sigma 18-300 F3.5-6.3 DC OS HSM shows some softness at a very close range and or at the largest apertures, so is best-suited to subjects over a meter away.

This respectable Sigma 18-300 F3.5-6.3 DC OS HSM lens is extraordinary. The feeling, vivid details, and the style of the spurious images are incomparable. The contrast and saturation are top-tier.

Sigma 17-70mm F2.8-4 DC OS HSM C

Sigma 17-70mm F2.8-4 DC OS HSM C

There are so many excellent Sigma lenses to choose from when you start getting more advanced with your photography, but Sigma 17-70mm F2.8-4 DC OS HSM C is an excellent choice for Canon EOS 800D. As for image quality, the Sigma 17-70mm F2.8-4 DC OS HSM C delivers lifelike, vivid images whether shot wide open at F2.8 - F4.0 or stopped down to smaller apertures. This remarkable lens produces images that are reasonably sharp in the center at F2.8 - F4.0 and convincing sharp by the time you hit f/5.6. This lens doesn’t have significant distortion, but it does exhibit a reasonably substantial amount of sun flare when the sun is near the frame. As we’ve observed in reviews of other Sigma lenses, the material and construction upgrades are very friendly. Thanks to a high speed internal focusing mechanism, the Sigma 17-70mm F2.8-4 DC OS HSM C delivers fast, silent and precise auto-focus. The 16-elements-in-14-group modern optical design is poised to provide stellar, consistent peripheral brightness and sharpness, even when working at the F2.8 - F4.0 aperture. The lens offer a very large aperture for shooting shallow depth of field shots and for shooting in low-light conditions. Sigma has earned a reputation for impressive, superb and reputable quality and construction at a fraction of the price of other lenses.

Canon 50mm f1.4 USM

Canon 50mm f1.4 USM

This Canon 50mm f1.4 USM lens has been designed using an advanced optical structure to achieve both proper resolution and versatile details. The Super Multi-Layer coating reduces ghosting and flares in images. The lens is a superior choice if you want to shoot a stunning lifestyle, family, and excellent portraits photos. The 8-element-in-6-group elegant optical design is poised to deliver surprising, consistent peripheral brightness and sharpness, even when working at the F1.4 aperture. Build quality is excellent and includes a full set of weather-seals, while the eight blade rounded aperture diaphragm delivers ultra-smooth bokeh. The bokeh-balls in the Canon 50mm f1.4 USM are a bit more ovular in shape than I’m used to seeing with some of my other lenses. Colors are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. This lens mounted on a Canon EOS 800D is very sharp around f/4 and, for the price, produces perfect bokeh.

Canon 85mm f1.8 USM

Canon 85mm f1.8 USM

As well as low-light shooting advantages, the larger F1.8 aperture of the Canon 85mm f1.8 USM helps to separate the subject, by encouraging sharp objects, and creamy bokeh. The 9-element-in-7-group stylish optical design is poised to deliver superb, consistent peripheral brightness and sharpness, even when working at the F1.8 aperture. Performance is good in most respects, with high-speed and accurate autofocus. As we’ve observed in reviews of other Canon lenses, the material and construction upgrades are very nice. And the optical quality in my reviewed lens proved to be very respectable and colorful across the entire range. The glass is a superior choice for EOS 800D users if you want to shoot a stunning lifestyle, family, and stunning traveling photos. Overall, it is an excellent lens for indoor photography when used in the aperture, shutter, or manual mode, because it tends to give lower ISO values allowing for larger prints.

Canon 70-200mm f2.8L IS II USM

Canon 70-200mm f2.8L IS II USM

It does get softer at 70-200mm as expected, but stopping down to ~f/8 dramatically improves sharpness. Bokeh produced by the versatile Canon 70-200mm f2.8L IS II USM merely is handy and impressive. Colors and sharpness are also really contrasty, expressive and stunning for a lens this price.

As we've observed in reviews of other Canon lenses, the material and construction upgrades are beneficial. The AF, when coupled with a Canon EOS 800D, is quite fast, confident and very usable for portraits or traveling. The 23-elements-in-19-group elegant optical design is poised to deliver superb, consistent peripheral brightness and sharpness, even when working at the F2.8 aperture. More expensive lenses have fixed apertures so even if you zoom all the way, the opening doesn’t get smaller. Built-in Optical SteadyShot reduces camera shake, especially in low-light, close-up, and telephoto where camera shake can easily reduce image quality. Canon standard zoom lens offers beautiful performance, even in low light conditions, with a beautiful and forward-looking design. If you want to get the most out of every megapixel in your camera, investing in sharp, versatile and remarkable Canon optics will open your eyes.

Canon 10-18mm f4.5-5.6 IS STM

Canon 10-18mm f4.5-5.6 IS STM

If you want one super versatile lens to take on your travels or use while walking around town, this is an excellent choice. Let’s say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, then this innovative, superb lens is a good choice. A rounded 7-blade diaphragm helps to produce an attractive out-of-focus, amazing photos quality. The lens’s minimum focusing distance is just over 22m, and it offers up to five stops of Vibration Compensation. As we’ve observed in reviews of other Canon lenses, the material and construction upgrades are very friendly. If you work as an architectural photographer or some other highly technical photographic profession, vignetting might present a problem for you, but if you’re a wedding photographer, I won't give it a second thought.

As can be expected with a lens with this focal range, some barrel distortion is evident in photos. With the sun at your back, images out of the Canon 10-18mm f4.5-5.6 IS STM is dreamy, colorful, expressive and extremely sharp. In short, if you can buy only one lens, Canon 10-18mm f4.5-5.6 IS STM is the one to get.