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Best Lenses for Awesome Sony Alpha A7R III

Sony FE 85mm F1.8

Sony FE 85mm F1.8

For many skillful photographers, the 85mm focal length is the ideal general purpose Prime lens. As well as low-light shooting advantages, the larger F1.8 aperture of the Sony FE 85mm F1.8 helps to isolate the object, by incenting sharp objects, and creamy bokeh. Glasses produces photos that are tack sharp at the center, notably when taken between f/4 and f/5. If you work as an architectural photographer or some other highly technical photographic profession, vignetting might present a problem for you, but if you’re a wedding photographer, I won't give it a second thought. If you like shooting portraits with a shallow depth of field will favorite this creative lens and the stunning blurry background it generates. And the quality of the photos in my tests proved to be very respectable and detailed across the entire range. Buying a remarkably lens will get you more bang for your buck than investing that toward a new camera body. We call the Sony FE 85mm F1.8 the winner for wedding, concert and portrait photography.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony FE
  • Focal Range 85mm
  • Sensor Format Full frame
  • Max Aperture F1.8
  • Autofocus Yes

Zeiss Batis 85mm F1.8

Still, this is one of the most popular lenses around for wielding portrait and wedding photographers due to the quality of the optics improvements and versatility of the focal length. Colour rendition is also dependent on the camera used, but at least with the Sony A7R III, you’ll know it’s not the lens letting you down! Designed to produce fantastic, versatile and stellar background blur, superb for stunning portraits and vivid natural photos. Combined with your perfect Sony A7R III this impressive lens produces sharp tack photos with only a small amount of softening near the lens corners when you shot with max aperture. This lens doesn’t have significant distortion, but it does exhibit a fairly large amount of sun glare when the sun is near the frame. Performance is fabulously excellent in most respects, with quick and fast autofocus. The Zeiss Batis 85mm F1.8 weighs in at just 475g, making it an excellent choice for people whose primary concern is weight. Fairly, if budget isn’t a concern or you want a good lens for your camera, the Zeiss Batis 85mm F1.8 is the way to go. It’s so simple and fast to get an incredibly cluttered background when you’ve got a lens that can go f/2.8, f/2 or even lower, and you can do that very fast on the Sony Alpha A7R III. We call the Zeiss Batis 85mm F1.8 the winner for wedding, concert and portrait photography.

  • Brand Zeiss
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony FE
  • Focal Range mm
  • Sensor Format APS-C / DX
  • Autofocus Yes

Sony FE 85mm F1.4 GM

Sony FE 85mm F1.4 GM

The Sony FE 85mm F1.4 GM from Sony is a supreme, surprising, fascinating and stunning Prime ideal for a variety of shooting applications. Who is this large lens good for? Excellent portraits, wedding or superb travel photos. Most notably, the tough brass barrel, rubber grip focus ring, and perfectly sized switches add up to an ergonomic practice that’s satisfying and feel evolving. Very easy to focus, tack sharp across the full sensor, sharp photos and with only a small amount of CA. This stellar lens is very sharp in the middle but on the sides of the glass have little but soft finishing. Presumably the high-grade, top-grade modified Sony you can get. Amazing blurry bokeh, versatile, monstrous rendering. An aperture of F1.4 means that you’ll be able to get that coveted ‘blurred background look’ that separates lesser cameras. This Sony lens enhances light transmission efficiency and offers superior color with a reduced flare to produce sharp tack portraits every time. Somewhat, the Sony FE 85mm F1.4 GM is a jewel of a lens to have in your camera bag.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony FE
  • Focal Range 85mm
  • Sensor Format Full frame
  • Max Aperture F1.4
  • Autofocus Yes

Sony Distagon T FE 35mm F1.4 ZA

Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, while at the same time being equally suited to shoot a solo portrait, group shot, landscape image. A fast and constant F1.4 maximum aperture generates blurred backgrounds well out of focus, enhances low-light shooting freedom and enables a brighter viewfinder image. Glasses are very sharp around f3.5 and, for such a reasonable price, produces beautiful bokeh. Edge-sharpness is a little lacking at both ends of the zoom range, but center-sharpness is very good on the whole. If you can get closer to the model, the bokeh exhibited by the Sony Distagon T FE 35mm F1.4 ZA is dreamy and creamy. And the quality of the photos in my tests proved to be very reputable and razor-sharp across the entire focal range. Its purpose is for landscapes, but it is also a great lens for food photography, real estate or even event photography. This incredible Sony beautiful piece of glass also delivers especially dreamy images with vivid colors and reputable sharpness. In short, if you buy only one lens for your Sony Alpha A7R III, then modern Sony Distagon T FE 35mm F1.4 ZA is the one to get.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Wideangle Prime
  • Lens Mount Sony FE
  • Focal Range 35mm
  • Sensor Format Full frame
  • Max Aperture F1.4
  • Autofocus Yes

Tamron 28-75mm F2.8 Di III RXD

Tamron 28-75mm F2.8 Di III RXD

Crisp performance and agile telephoto make it ideal for fast action sports to spot news to elegant weddings. However, the Tamron 28-75mm F2.8 Di III RXD delivers vivid, stunning images even shot wide open at F2.8 or closed down to smaller apertures. The cat eyes generated in the Tamron 28-75mm F2.8 Di III RXD are a bit more ovular in shape than I’m used to seeing with my other lenses on my camera. Versatile Tamron shot photos that are tack sharp near the center, notably when shot between f/4 and f/5. This lens doesn’t have significant distortion, but it does exhibit a reasonably large amount of sun glare when the sun is near the frame.

Meanwhile focus is very fast and still accurate – as we’ve come to expect from immensely impressive camera lenses. The price - price is important but, with glasses, it isn’t a place where you should save. Details are good at F2.8, but stopping down to f/4-f/8 showcase the best results, if capturing the detailed images is your primary concern. Whether you’re traveling to America for a month or want a lens that covers it all and delivers excellent results, you’ll love it.

  • Brand Tamron
  • Lens Type Zoom
  • Lens Type Standard Zoom
  • Lens Mount Sony E
  • Focal Range 28-75mm
  • Sensor Format Full frame
  • Max Aperture F2.8
  • Autofocus Yes

Sony FE 24-70mm F4 ZA OSS CZ

The Sony FE 24-70mm F4 ZA OSS CZ has some barrel distortion typical of wide-angle lenses, but it is not severe. Plus, it’s got Optical Stabilization which is helpful once you go over 200mm, or are shooting in dim light. The high-end lens offers tack sharp, crisp photos reproduction, even at the maximum aperture of F4.0. This advanced lens produces photos that are fairly sharp in the center at F4.0 and serious sharp by the time you hit f/5.6. There may be a small amount of vignetting and evidence of colored fringing, but both are easily fixed in RAW conversions. Another reason why beautiful F4.0 is so good is that it allows you to blur the background, making your model stand out fully. This amazing lens is tack-sharp in the middle, and the sides of the lens elements have very soft finishing. We call the Sony FE 24-70mm F4 ZA OSS CZ the winner for wedding, concert and portrait photography.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Standard Zoom
  • Lens Mount Sony FE
  • Focal Range 24-70mm
  • Sensor Format Full frame
  • Max Aperture F4.0
  • Autofocus Yes

Sony FE 24-70mm F2.8 GM

Sony FE 24-70mm F2.8 GM

High-quality performance and agile telephoto make it ideal for fast action sports to spot news to elegant weddings. Most notably, photos out of the Sony Alpha A7R III high-quality Sony FE 24-70mm F2.8 GM are vivid, sharp, razor-sharp and ripping dreamy. A must-have for impressive portraits and photographers and this glass allows you to capture outstanding pictures with a shallow depth of field while allowing your subject to stand out from their backgrounds. Sony is very sharp then aperture is set to f/4 and, for such a reasonable price, shots outstanding photos. As can be expected with a lens with this focal range, some barrel distortion is evident in photos. The AF, when paired with a Sony A7R III, is quite quick, bold and very useful for portraits or travel. The only downside is that it’s not as light as the lenses above, but is still manageable at 886g. Presumably the high-grade, top-grade new Sony you can get. Superb bokeh, outstanding, incredible performance. It’s straightforward and easy to get an especially blurry background when you’ve got a Sony that can go f/2.8, f/2 or even lower, you can do that in less than a second on the Sony Alpha A7R III.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Standard Zoom
  • Lens Mount Sony FE
  • Focal Range 24-70mm
  • Sensor Format Full frame
  • Max Aperture F2.8
  • Autofocus Yes

Sony FE 70-200mm F4 G OSS

Sony FE 70-200mm F4 G OSS

After doing a lot of research about lens for a Sony A7R III, I decided to give this fascinating and incredible Sony FE 70-200mm F4 G OSS a try. If you were looking for captivating travel shots, then think about buying this superb lens. The lens bayonet mount is made from sturdy brass to provide closeness and durability. Very easy to focus, ultra sharp across the full sensor, suggestive photos and with only small amount of aberrations. And the quality of the pictures in my reviewed lens proved to be very worthy and contrasty across the entire focal range. If you’re into the landscape, portraits or travel photography, get the Sony FE 70-200mm F4 G OSS, and you will be satisfied with the stunning result. The high-end lens offers sharp, crisp photos reproduction, even at the maximum aperture of F4.0. If you want to get the most out of every mega pixel in your camera, investing in versatile, sharp and innovative Sony optics will open your eyes.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Telephoto Zoom
  • Lens Mount Sony FE
  • Focal Range 70-200mm
  • Sensor Format Full frame
  • Max Aperture F4.0
  • Autofocus Yes

Sony FE 70-200mm F2.8 GM OSS

Sony FE 70-200mm F2.8 GM OSS

It is very suitable for all-purpose shooting, and it’s very compact for its focal range. Sony’s top 70-200mm features an Image Stabilizer system capable of four stops of correction when shooting handheld. Because of its large F2.8 aperture, the lens covers a lot of light and is superb for low light situations (travel, portraits, etc.). Innovative Sony produces photos that are tack sharp at the center, especially when taken between f/4 and f/5. Sharpness is excellent across most of the zoom range – but drops off more at the end. Generally, the bokeh of Sony FE 70-200mm F2.8 GM OSS is fascinating, stunning and noticeably better than my older (and equally versatile) Sony lenses. As for image quality, the Sony FE 70-200mm F2.8 GM OSS delivers stunning, dreamy images whether shot wide open at F2.8 or stopped down to smaller apertures. Then Sony FE 70-200mm F2.8 GM OSS mounted on the prevalent Sony Alpha A7R III, it makes an exceptional kit for any wedding photographer.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Telephoto Zoom
  • Lens Mount Sony FE
  • Focal Range 70-200mm
  • Sensor Format Full frame
  • Max Aperture F2.8
  • Autofocus Yes

Sony FE 28mm F2

Sony FE 28mm F2

It is very suitable for all-purpose shooting, and it’s very compact for its focal range. The impressively innovative and superb Sony FE 28mm F2 offers a substantial aperture for shooting shallow depth of field shots and for shooting in dark places. Combined with Sony Alpha A7R III this astonishing lens produces ultra sharp images with contrasting colors. Edge-sharpness is a little lacking at both ends of the zoom range, but center-sharpness is very good on the whole. The focus gradient from these tack sharp in-focus models to dreamy bokeh is gradual and slight, and the background itself is beautifully calm. Most notably, images out of the Sony A7R III excellent Sony FE 28mm F2 are expressive, razor-sharp, dreamy and immensely lifelike. With its exaggerated ultra-wide perspective and high-resolution imaging power, it captures dynamic, sweeping views of subjects, making it an ideal choice for landscape photography. Lastly, detailed Sony FE 28mm F2 lens is a well-priced and ideal choice for customer's who are looking an upgrade from the cheap lens in terms of higher quality and larger focal range.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Wideangle Prime
  • Lens Mount Sony FE
  • Focal Range 28mm
  • Sensor Format Full frame
  • Max Aperture F2.0
  • Autofocus Yes

Sony FE 24mm F1.4 GM

Sony FE 24mm F1.4 GM

Wedding photographer or not, 24mm allows you to fit enough in the frame to tell the story, while at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. XA (extreme aspherical) + ED elements, Nano AR coating lens elements provide minimal chromatic aberration and color blur. The wide aperture allows you to blur the background, getting a beautiful, creamy, out-of-focus area, referred to as bokeh, that helps to isolate your subject. Details are polite at F1.4, but stopping the lens down to f/4-f/8 shows the best results if shooting the detailed photos is your primary concern. This large lens produces photos that are reasonably sharp and detailed in the center at F1.4 and remarkable sharp by the time you hit f7.0 — designed to take superb, beautiful and stunning background blur, excellent for stunning portraits and detailed natural photos. And the quality of the pictures in my reviewed lens proved to be very reputable and expressive across the entire focal range. Its purpose is for landscapes, but it is also a great lens for food photography, real estate or even event photography. If you want to get the most out of every megapixel in your camera, investing in excellent, superb and robust Sony optics will open your eyes.

  • Brand Sony
  • Lens Type Prime lens
  • Lens Mount Sony FE
  • Focal Range 24mm
  • Sensor Format Full frame
  • Max Aperture F1.4
  • Autofocus Yes

Sigma 105mm F1.4 DG HSM Art

Sigma 105mm F1.4 DG HSM Art

This lens is ideal for environmental portraits, for detail shots at weddings, and as a walk around lens at events. Sharpness rendition is also dependent on the camera used, but at least with the Sony A7R III, you’ll know it’s not the lens letting you down!. The Sigma 105mm is designed to deliver speed, sharpness, and performance while producing a marvelous soft bokeh (defocus) effect on the background throughout the entire focal range. Packed with Sony A7R III this fantastic lens provides tack sharp images with vibrant colors. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. The AF, when coupled with a Sony Alpha A7R III, is quite fast, confident and very useful for portraits or wedding. The only downside is that it’s not as light as the lenses above, but is still manageable at 1645g. Of course the price - price is important but, with glasses, it isn’t a place where you should economize. The exceptionally innovative and superb Sigma 105mm F1.4 DG HSM Art offers a huge aperture for shooting shallow depth of field shots and for shooting in low-light places. One more reason why elegant F1.4 is so good is that it allows you to entirely to boom up the background, making your model stand out.

  • Brand Sigma
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony E
  • Focal Range 105mm
  • Sensor Format Full frame
  • Max Aperture F1.4
  • Autofocus Yes

Sony FE 90mm F2.8 Macro G OSS

This Sony lens is presumably one of the great, superb and outstanding working Sony FE mount portraits lenses. However, the Sony FE 90mm F2.8 Macro G OSS delivers contrasty, graphic images whether shot wide open at F2.8 or closed down to smaller apertures. This Sony lens is very sharp around f/4 and, for the price, generates very extraordinary and superb bokeh. This lens is tack sharp around f3.5 and, for such a good price, shots outstanding bokeh. Ghosting and sun flare are very minimal with this lens although its bokeh leaves something to be desired. Meanwhile, AF is fast and accurate – as we’ve come to expect from especially powerful Sony lenses. Of course the price - price is paramount but, with camera lenses, it isn’t a place where you should skimp. F2.8 on the Sony FE 90mm F2.8 Macro G OSS seems to be the good choice in terms of centre detail sharpness, and combined with the awesome bokeh.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Macro Prime
  • Lens Mount Sony FE
  • Focal Range 90mm
  • Sensor Format Full frame
  • Max Aperture F2.8
  • Autofocus Yes
Zigmars

Zigmars Author

A very enthusiastic expert in technology and cameras. Who has been in the digital technology business for over 20 years.

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