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Best Lenses for Sony A7II Full Frame of 2018

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Sony FE 85mm F1.8

Sony FE 85mm F1.8

The 85mm lens is exceptionally popular with every brand, and the Sony is no exception. As well as low-light shooting advantages, the larger F1.8 aperture of the Sony FE 85mm F1.8 helps to separate the subject, by encouraging sharp objects, and creamy out-of-focus elements. Shot wide open at F1.8, images are ultra sharp, and this level of detail remains across its entire focal range. Sharpness is excellent across most of the zoom range – but drops off more at the end. Bokeh – You know how sometimes in portrait photography the subject is in focus and the background has a beautiful blur? that blur is called bokeh, the larger the aperture the more bokeh you will get. With the sun at your back, images out of the Sony FE 85mm F1.8 are eye-popping, dreamy, stunning and impressively razor-sharp. We call the Sony FE 85mm F1.8 the winner for wedding, concert and portrait photography.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony FE
  • Focal Range 85mm
  • Sensor Format 35mm FF
  • Max Aperture F1.8
  • Autofocus Yes

Tamron 28-75mm F2.8 Di III RXD

Tamron 28-75mm F2.8 Di III RXD

We call the Tamron 28-75mm F2.8 Di III RXD the winner for wedding, concert and portrait photography. It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses. I was cheerfully surprised with how stunning bokeh can be produced at F2.8 with this lens. This lens produces images that are very sharp near the center, especially when shot between f/4 and f/5. As can be expected with a lens with this focal range, some barrel distortion is evident in photos. Complementing the optical attributes, this lens also sports an internal focusing design to deliver fast and quiet autofocus performance.

  • Brand Tamron
  • Lens Type Zoom
  • Lens Type Standard Zoom
  • Lens Mount Sony E
  • Focal Range 28-75mm
  • Sensor Format 35mm FF
  • Max Aperture F2.8
  • Autofocus Yes

Sony FE 70-200mm F4 G OSS

Sony FE 70-200mm F4 G OSS

This lens is ideal for environmental portraits, for detail shots at weddings, and as a walk around lens at events. And the photos quality in my reviewed lens proved to be very respectable and colorful across the entire focal range. The Sony 70-200mm is designed to deliver speed, sharpness and performance, while producing a stunning soft bokeh (defocus) effect on the background throughout the entire focal range. Shot wide open at F4.0, images are tack sharp, and this level of detail is across its entire focal range. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. The AF, when coupled with a decent DSLR, is quite fast, confident and very usable for traveling or weddings. At only 840g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Telephoto Zoom
  • Lens Mount Sony FE
  • Focal Range 70-200mm
  • Sensor Format 35mm FF
  • Max Aperture F4.0
  • Autofocus Yes

Sony FE 24mm F1.4 GM

Sony FE 24mm F1.4 GM

Furthermore, this is one of the most popular lenses around for wielding portrait and wedding photographers due to the quality of the optics upgrades and versatility of the focal length. And the optical quality in my reviewed lens proved to be very respectable and contrasty across the entire range. This Sony lens is very sharp around f/4 and, for the affordable price, produces very top-tier and amazing bokeh. This is one of the sharpest lenses ever made by Sony and with your Sony Alpha A7 II it produces very sharp images. As can be expected with a lens with this focal range, some barrel distortion is evident in photos post-processing in Lightroom or Photoshop may correct these effects. Thanks to a high speed internal focusing mechanism, the Sony FE 24mm F1.4 GM delivers fast, silent and precise auto-focus. The Sony FE 24mm F1.4 GM weighs in at just 445g, making it a really good choice for people whose primary concern is weight.

  • Brand Sony
  • Lens Type Prime lens
  • Lens Mount Sony FE
  • Focal Range 24mm
  • Sensor Format 35mm FF
  • Max Aperture F1.4
  • Autofocus Yes

Sony FE 28mm F2

Sony FE 28mm F2

The Sony FE 28mm F2 from Sony is a superb, astonishing, amazing and top-tier Prime well-suited to variety of shooting applications. Complementing the optical attributes, this lens also sports an internal focusing design to deliver fast and quiet autofocus performance. At only 200g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use. The Sony FE 28mm F2 is elementary and paints amazing, beautiful and razor-sharp photos. This lens produces images that are very sharp near the center, especially when shot between f/4 and f/5. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. This modified and improved Sony lens should be in every Sony Alpha A7 II owner's collection.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Wideangle Prime
  • Lens Mount Sony FE
  • Focal Range 28mm
  • Sensor Format 35mm FF
  • Max Aperture F2.0
  • Autofocus Yes

Sony FE 24-70mm F4 ZA OSS CZ

Sony FE 24-70mm F4 ZA OSS CZ

I bought the Sony FE 24-70mm F4 ZA OSS CZ a few years ago and it’s a beast. look at any wedding/portrait photographer’s bag, you’ll most likely see the 24-70mm there. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of Sony Alpha A7 II. This Sony lens is razor sharp around f/4 and, for the affordable price, produces very stellar and extraordinary bokeh. This is one of the sharpest lenses ever made by Sony and with your Sony Alpha A7 II it produces very sharp images. The Aspherical glass which has a curved, non-spherical surface helps to minimize coma and other types of lens aberrations. Obviously AF speed is largely dependent on the camera itself, but paired with any modern 35mm FF camera (like yours), I’m confident that you won’t be disappointed. Ultra compact and lightweight, this is a lens you’ll be happy to take anywhere.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Standard Zoom
  • Lens Mount Sony FE
  • Focal Range 24-70mm
  • Sensor Format 35mm FF
  • Max Aperture F4.0
  • Autofocus Yes

Zeiss Batis 85mm F1.8

Zeiss Batis 85mm F1.8

Longer lenses have always been recommended for capturing people because they don’t distort the faces; they give you nice, flat results. For traveling or hiking, Vibration Reduction is extremely handy. This lens have an extremely fast maximum aperture for shallow depth of field control, very low-light shooting, and super fast shutter speeds. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Well those days are no more – the Zeiss Batis 85mm F1.8 is just as sharp as prime lens. Edge-sharpness is a little lacking at both ends of the zoom range, but centre-sharpness is very good on the whole. If you can get close enough to the subject, the bokeh exhibited by the Zeiss Batis 85mm F1.8 is smooth and creamy. With the sun at your back, images out of the Zeiss Batis 85mm F1.8 are eye-popping, sharp, detailed and remarkably lifelike. This lens is ideal for environmental portraits, for detail shots at weddings, and as a walk around lens at events.

  • Brand Zeiss
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony FE
  • Focal Range mm
  • Sensor Format APS-C / DX
  • Autofocus Yes

Sony FE 85mm F1.4 GM

Sony FE 85mm F1.4 GM

Superb, impressive, supreme Prime advanced lens with F1.4 brightness at maximum aperture, this lens incorporates 11 optical elements in 8 groups. The Sony FE 85mm F1.4 GM is a best choice if you want to shoot razor-sharp traveling, portrait and surprising landscape photos. One of the remarkable advantages of the Sony FE 85mm F1.4 GM is its high-grade build quality. I love this lens because it is very light, compact, superb, excellent capable of producing versatile bokeh and razor-sharp images. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of Sony Alpha A7 II. Price – Price is important but, with lenses, it isn’t a place where you should skimp. If you can only afford to splurge on one thing, it should be your lens.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony FE
  • Focal Range 85mm
  • Sensor Format 35mm FF
  • Max Aperture F1.4
  • Autofocus Yes

Sony FE 90mm F2.8 Macro G OSS

Sony FE 90mm F2.8 Macro G OSS

This lens is probably one of the most famous, top-tier and outstanding working Sony FE mount traveling lenses. The lens is a best choice if you want to shoot sharp traveling, portrait and amazing weddings photos. One of the momentous advantages of the Sony FE 90mm F2.8 Macro G OSS is its high-grade build quality. It is sharp, has great colors and focuses quickly. And the optical quality in my reviewed lens proved to be very respectable and contrasty across the entire focal range. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, then this beautiful, crisp lens is good choice. You can use this for landscape, traveling photos, or simply as your only lens if you want a do-it-all lens.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Macro Prime
  • Lens Mount Sony FE
  • Focal Range 90mm
  • Sensor Format 35mm FF
  • Max Aperture F2.8
  • Autofocus Yes

Sigma 105mm F1.4 DG HSM Art

Sigma 105mm F1.4 DG HSM Art

This is a sharp, detailed, fascinating and important lens for conversant user. The lens is a high-grade choice if you want to shoot sharp weddings, landscape and fascinating portrait photos. The bayonet mount is constructed from brass for ensured accuracy and durability. It is sharp, has great colors and focuses quickly. It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses. Probably the best, high-grade new Sigma normal you can buy. extraordinary Bokeh, stunning, innovative performance. Overall, we found the Sigma 105mm F1.4 DG HSM Art to be an excellent value, with its fast F1.4 maximum aperture, solid construction and affordable price.

  • Brand Sigma
  • Lens Type Prime
  • Lens Type Telephoto Prime
  • Lens Mount Sony E
  • Focal Range 105mm
  • Sensor Format 35mm FF
  • Max Aperture F1.4
  • Autofocus Yes

Sony FE 24-70mm F2.8 GM

Sony FE 24-70mm F2.8 GM

The Sony FE 24-70mm F2.8 GM Limited lens offers exceptionally high image and a wide-angle perspective. Obviously AF speed is largely dependent on the camera itself, but paired with any modern 35mm FF camera (like yours), I’m confident that you won’t be disappointed. At only 886g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use. The lens is simple to use and takes superb, versatile and contrasty photos. This lens produces images that are very sharp near the center, especially when shot between f/4 and f/5. Ghosting and sun flare are very minimal with this lens although its bokeh leaves something to be desired. Overall, this Sony FE 24-70mm F2.8 GM lens is one of the most impeccable, impressive and fantastic pieces of glass that will fit your.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Standard Zoom
  • Lens Mount Sony FE
  • Focal Range 24-70mm
  • Sensor Format 35mm FF
  • Max Aperture F2.8
  • Autofocus Yes

Sony Distagon T FE 35mm F1.4 ZA

Sony Distagon T FE 35mm F1.4 ZA

Its visual perspective closely mimics that of human eyesight, so images you capture will be a lot like what you see in your head. If you are coming from a kit lens, you’ll appreciate Gadgetine pick’s F1.4 maximum aperture - because most kit zooms stop at f/3.5 or f5.6. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Well those days are no more – the Sony Distagon T FE 35mm F1.4 ZA is just as sharp as prime lens I’ve ever shot with. Sharpness is good across most of the zoom range – but drops off more at the long end. If you want your subject to be in sharp focus and the background to simply melt away, this is the lens for you. And the photos quality in my reviewed lens proved to be very respectable and vivid across the entire focal range. It is also a fantastic ceremony lens for those who shoot weddings in larger venues.

  • Brand Sony
  • Lens Type Prime
  • Lens Type Wideangle Prime
  • Lens Mount Sony FE
  • Focal Range 35mm
  • Sensor Format 35mm FF
  • Max Aperture F1.4
  • Autofocus Yes

Sony FE 70-200mm F2.8 GM OSS

Sony FE 70-200mm F2.8 GM OSS

To take your photography to the next level, you’ll want to begin building your arsenal of serious lenses. It deliberately does not contain any electronics. It is 100% manual lens. The less parts it has, the less chances that something will break down. The only downside is that it’s not as light as the lenses above, but is still manageable at 1480g. And the photos quality in my reviewed lens proved to be very respectable and razor-sharp across the entire focal range. Packed with Sony Alpha A7 II this lens produces sharp images with only a hint of softening near the corners when shot wide open. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. Fairly, the Sony FE 70-200mm F2.8 GM OSS is a gem of a lens to have in your camera bag.

  • Brand Sony
  • Lens Type Zoom
  • Lens Type Telephoto Zoom
  • Lens Mount Sony FE
  • Focal Range 70-200mm
  • Sensor Format 35mm FF
  • Max Aperture F2.8
  • Autofocus Yes